Robert F. Hammerstiel – aus der Fotoserie Waste Land, 2009, C-Print auf Acrylglas, Acrylglasbox, 46 x 71 x 5 cm

Robert F. Hammerstiel – aus der Fotoserie Waste Land, 2009, C-Print auf Acrylglas, Acrylglasbox, 46 x 71 x 5 cm

Leidy Churchman at Silberkuppe 2014
Will Benedict
 

Will Benedict

 

Richard AldrichFigures2012 (1996)Pen on paper on linen84 x 58 inches213.4 x 147.3 cm

Richard Aldrich
Figures
2012 (1996)
Pen on paper on linen
84 x 58 inches
213.4 x 147.3 cm

Guy Ben Ner - Stealing Beauty 2007

Tags: Guy Ben Ner

Beni Bischof “BIG JOHN - WARUM NICHT”Gips, 2010

Beni Bischof “BIG JOHN - WARUM NICHT”
Gips, 2010

Tags: Beni Bischof

culdesacoflameness:

Ed Templeton, “When Life Gives You Lemons” 2009 (Acrylic on paper)

culdesacoflameness:

Ed Templeton, “When Life Gives You Lemons” 2009 (Acrylic on paper)

Tags: Ed Templeton

anaispaws:

GIF ART : MUTATIONS | Simon Stage x Rick Silva

A collaboration project between the listed artists and Simon Stage. All series were initiated through email with a static image file, modified by the artist, then sent back, and repeated - with the intention of making it becoming an animated .gif at some point in the modifications. The series were done at different points in time from 2011 to 2014.

https://www.youtube.com/watch?v=lMymFJu_a4o

Lob des alten litauischen Regieassistenten im grauen Kittel
10 min. cut
RENÉ POLLESCH 2006

anaispaws:

SPEECH: D E P R E S S I O N | Ed Atkins


"…This is an attempt to speak of depressions. To speak as depressions. For speech, words, etc. to depress. A coincidence of forms to depress. A critique of depressions also, if I say so. To speak of depressions from within depressions – from the wet floor of depressions, looking up at a blurred chink of grey light. An echo in here that serves to plot the internal walls of the depression; a sorry parody comes drifting back.
(I don’t sound like that, do I?)
– Conveyed from this narrow black bed at the bottom of depressions. This narrow, black, wet bed – the ceiling above which artexed into complicated symbols that denote the more familiar constellations, only rendered absurd, properly alien by this dislocation beneath the skin of a moon a few light years away, but within the same solar system. A dislocation half a mile or so below a sea-level of tranquillity. The schism between a sea on earth – quaint, perversely – and the lunar reality of a billion dead craters we understand as fossilised sea.
A sea churning with tentacles and great, incontinent spurts of fetid black ink.
The canyon floor. Or skulking in depressions, entrenched….”

Tags: Ed Atkins

Freakstars 3000: Schlingensief interviewt Achim von Paczensky

virginiacreeper:

aubrey plaza in the new ryan trecartin movie though

info-punkt:

Jana Euler

info-punkt:

Jana Euler

Tags: Jana Euler